When designing Radio City Music Hall, Stone and Deskey were inspired to take a more modern approach with an effort to show delicate restraint. Besides Radio City Music Hall, perhaps his most recognizable work is the Crest Toothpaste packaging and the Tide bullseye. Still, he wasn’t known particularly as an interior designer and to this day is still regarded more as a furniture and graphic designer. Deskey, on the other hand, was selected through a competition and had gained some recognition after designing a window display in 1926 for the Franklin Simon Department Store in Manhattan.
When he became principal on the project, he was working for the Associated Architects of Rockefeller Center. An early advocate of the International Style, Stone didn’t receive his first independent commission until after designing Radio City Music Hall and is largely remembered for his designs from the ’50s and ’60s, like the Kennedy Center in Washington, DC. Below, learn more about Radio City Music Hall’s impressive history through seven little-known details about the legendary space.ĭespite the venue’s ambitious goals, Edward Durrel Stone and Donald Deskey, the theater’s respective architect and interior designer, weren’t huge names when they were selected to work on the theater. Though the shows inside certainly dazzle, it’s also fair to say the building’s architecture and design has played an equally important role in the venue’s lasting legacy. “When you are on the stage, it’s hard not to be in awe of the immense talent that has graced the same space,” Renck Manning says.
Now nearly a century old, the Art Deco theater has become an emblem of the New York City arts and culture scene. “With every performance, I glance out as the orchestra starts and see 6,000 seats that have brought joy and escape to so many since 1932.” “When the curtain rises, as a performer, you are instantly reminded that you are a part of something much bigger than yourself,” she says. “The magnitude of the theater and the weight of its history is never lost on me.” Though millions of people visit the illustrious venue every year, only a few, like Renck Manning, get to see it from the stage perspective. “At the top of each show, I feel like it’s my very first time,” the dancer tells AD. In the last 10 years, Lauren Renck Manning has performed roughly 1,000 shows as a Rockette at Radio City Music Hall.
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